Archive for the ‘Lagniappe’ Category

Clerical and academic haberdasherie

January 28, 2009

And completely off any point but the catercap remark below, a website that has pictures of just about every example of clerical and academic headgear that mankind has to offer: Klerikale Kopfbedeckungen.

Believe me, the visit will be worth the time spent scrolling down. The pictures of the Canterbury cap – the proper Kopfbedeckung of the Anglican cleric, NOT the biretta – are appreciated. But the academic doctoral headgear of the University of Coimbra – well, I’ve never seen anything quite like it.

Here is a photo – misfiled in the website’s photograph’s, I think – of a Anglican priest properly attired (on his way to preaching) in cassock, gown, tippet and Canterbury cap (catercap). Pity he’s not wearing bands as well.

The Incarnation – a hope remembered in the ancient days of Middle Earth

December 29, 2008

The beauty of Tolkien’s writings, especially his Elvish poetry and the songs of the First and Second Ages (from the Silmarillion and other texts), and the richness of his tales and the worlds of his tales, sometimes makes one truly wish that these were from the ancient history of humankind.

There have been essays written, one senses only partly as fantasy, that posit that the Fourth Age, which began with the destruction of the One Ring and of the Dark Lord who forged it, ended with a catastrophe, viz., the Flood; that the Fifth Age ended with the birth of Our Lord; that the Sixth Age will end with the Parousia; and that the Seventh Age will have no end.

I am reminded by those conjectural and wishful accounts of the eons of humanity of a passage from the Athrabeth Finrod ah Andreth, “The Debate of Finrod and Andreth”, a conversation between one of the wisest of the Noldorin Elves (Finrod, king of Nargothrond, known as Friend-of-Men) and a Wise-woman of Men (Andreth), in which they speak and argue about many things, including the place of humanity in the World. The bitterness demonstrated by Andreth throughout their argument must be understood in the context of the condition of humankind in the First Age of the world, when they were a race buffeted and endangered by the wicked designs of the rebellious Ainu Morgoth (the first Dark Lord, and master of Sauron, also known as “the Nameless”). The two, Noldor Lord and human Wise-woman, speak of human death, of what we might call “original sin”, and of the place of humanity in the world.

At one point, Finrod suggests the real purpose and calling of humanity (”Arda” refers to the created world):

‘This then, I propound, was the errand of Men, not the followers, but the heirs and fulfillers of all: to heal the Marring of Arda, already foreshadowed before their devising; and to do more, as agents of the magnificence of Eru: to enlarge the Music and surpass the Vision of the World!’

‘For that Arda Healed shall not be Arda Unmarred, but a third thing and a greater, and yet the same. I have conversed with the Valar who were present at the making of the Music ere the being of the World began. And now I wonder: Did they hear the end of the Music? Was there not something in or beyond the final chords of Eru which, being overwhelmed thereby, they did not perceive?’

Professor Tolkien did not publish this text; it was published twenty years after Tolkien’s death by Frank Williamson and Christopher Tolkien in the volume, Morgoth’s Ring (Houghton Mifflin, 1993). The following remarkable passage occurs in the middle of Finrod and Andreth’s conversation, and is an eminently suitable meditation during Christmastide.

‘Have ye then no hope?’ said Finrod.

‘What is hope?’ she said. ‘An expectation of good, which though uncertain has some foundation in what is known? Then we have none.’

‘That is one thing that Men call “hope”,’ said Finrod. ‘Amdir we call it, “looking up”. But there is another which is founded deeper. Estel we call it, that is “trust”. It is not defeated by the ways of the world, for it does not come from experience, but from our nature and first being. If we are indeed the Eruhin, the Children of the One, then He will not suffer Himself to be deprived of His own, not by any Enemy, not even by ourselves. This is the last foundation of Estel, which we keep even when we contemplate the End: of all His designs the issue must be for His Children’s joy. Amdir you have not, you say. Does no Estel at all abide?’

‘Maybe, she said. ‘But no! Do you not perceive that it is part of our wound that Estel should falter and its foundations be shaken? Are we the Children of the One? Are we not cast off finally? Or were we ever so? Is not the Nameless the Lord of the World?’

‘Say it not even in question!’ said Finrod.

‘It cannot be unsaid,’ answered Andreth, ‘if you would understand the despair in which we walk. Or in which most Men walk. Among the Atani, as you call us, or the Seekers as we say: those who left the lands of despair and the Men of darkness and journeyed west in vain hope: it is believed that healing may yet be found, or that there is some way of escape. But is this indeed Estel? Is it not Amdir rather; but without reason: mere flight in a dream from what waking they know: that there is no escape from darkness and death?’

‘Mere flight in a dream you say,’ answered Finrod. ‘In dream many desires are revealed; and desire may be the last flicker of Estel. But you do not mean dream, Andreth. You confound dream and waking with hope and belief, to make the one more doubtful and the other more sure. Are they asleep when they speak of escape and healing?’

‘Asleep or awake, they say nothing clearly,’ answered Andreth. ‘How or when shall healing come? To what manner of being shall those who see that time be re-made? And what of us who before it go out into darkness unhealed? To such questions only those of the “Old Hope” (as they call themselves) have any guess of an answer.’

‘Those of the Old Hope?’ said Finrod. ‘Who are they?’

‘A few,’ she said; ‘but their number has grown since we came to this land, and they see that the Nameless can (as they think) be defied. Yet that is no good reason. To defy him does not undo his work of old. And if the valour of the Eldar fails here, then their despair will be deeper. For it was not on the might of Men, or of any of the peoples of Arda, that the old hope was grounded.’

‘What then was this hope, if you know?’ Finrod asked.

‘They say,’ answered Andreth: ‘they say that the One will himself enter into Arda, and heal Men and all the Marring from the beginning to the end….’

L’Orfeo

March 16, 2008

About a year ago, I came across these YouTube video clips of a performance of Claudio Monteverdi’s opera L’Orfeo, favola in musica. Written for the annual festival in Mantua, L’Orfeo was first performed in the ducal palace in Mantua in 1607 and first published in Venice in 1609. L’Orfeo is one of the earliest, if not the earliest, work in the form that we know as opera.

I was deeply impressed by these clips, so much so that I ordered a DVD of this performance (just check Amazon for the details, if you are so moved). Jordi Savall, whom I have admired and listened to for some time, is a master of the viol da gamba and a magnificent director of music (it is he who has the dramatic entrance at the beginning of the following video clip). This performance is impressively dramatic, and Monteverdi’s music is splendid.

(By the way, the musicians are playing early Baroque instruments, including lutes, the Renaissance harp, and the theorbo.)

Our youngest daughter, only ten years old, loves the opera and – after several weeks of watching it at least once weekly – still asks to watch it occasionally.

From a theological standpoint – and I write knowing that this non-classicist (with no expertise in Renaissance poetry, either) treads ground best walked upon by those with the expertise to do so – the legend of Orpheus and Eurydice bears witness to a desire deep in the human psyche to remain united with those whom we love, to escape the clutches of everlasting death and to share the immortality that only gods possess.  (The opera’s libretto includes, as Orfeo descends into Hades, a quotation from Dante’s L’Inferno, “Abandon all hope, ye who enter here”, a testimony to that cross-pollinization of the pagan and the Christian that characterized much of the European Renaissance.)

This grace was given to us in Christ Jesus before the ages began, but it has now been revealed through the appearing of our Saviour Christ Jesus, who abolished death and brought life and immortality to light through the gospel. (1 Timothy 10)

Christ is risen from the dead, trampling down death by death, and giving life to those in the tomb.  (Prayer Book burial office, 1979)

Vanity Fair clergy

March 8, 2008

No, it isn’t something from Pilgrim’s Progress (or from Thackeray) – though Lord knows there are and have been Anglican and Episcopalian clergy aplenty who would have fit in rather comfortably as bishops, rectors and curates of Bunyan’s Vanity Fair.

Searching for a suitable image of a photograph or a painting of Bishop Edward King, I came upon this webpage of Vanity Fair prints of various British clergymen and religious leaders of the late 19th century.

Enjoy perusing them.

One thing I noted was that Dr Hermann Adler, the Chief Rabbi of the British Empire, was styled “the Very Revd”. I like that, for a variety of reasons. What I cannot discover is whether the Chief Rabbi (now of the United Hebrew Congregations of the British Commonwealth), who currently is Sir Jonathan Sacks, is still styled “the Very Revd”.

A little news about the CaNNet crash in November

January 11, 2008

Mike Daley recounts the history of starting up the Classical Anglican Net and the two major cyber-attacks that nearly took CaNNet down. In fact, the attack in November of last year resulted in the loss of archives from July 2007 to November, and caused a number of us (Brad Drell, I’d Rather Not Say, and others) to create backup weblogs in order to keep writing and posting.

Once again, many, many thanks to Mike Daley et al. for their hard and poorly-remunerated work in restoring CaNNet.

And stay tuned for further details.

Uwe Siemon-Netto’s “Melancholy Christmas Postscript”

January 10, 2008

A dismal recollection.

I recall the first time I was present that a congregant became syncopal (fainted) during the liturgy in our parish. It was at the beginning of the service, during the Gloria in excelsis, that the elderly woman fainted dead away. A nurse and I were at her side within seconds, determining that her heart rate was fairly slow, but that, with her having in fainting assumed a supine position in the pew in which her lowered blood pressure was able to get blood to her brain more effectively, she was coming around. Immediately on our attending on the woman, our rector (who, some 17 years later, is still our rector) immediately called the filled church to their knees in prayer, leading us in the office for Ministration to the Sick. Once we were able to move her to a place that the paramedics could more easily get to her, on passing by the sanctuary the rector had us stop so that he could lay hands on the woman and anoint her with oil. Our having carried her to church library (just at hand) to await the arrival of the paramedics, and the office for the sick having been prayed through, the rest of the church resumed the liturgy with the Collect of the Day.

For a truly startling contrast with Dr Siemon-Netto’s experience in an English parish church, read Acts 20:7-12.

All hail the Websexton

December 26, 2007

Or is that “the Webverger”?

The Confessing Reader parent weblog (link is in the column to the right) has been restored, with posts up through July 2007. For now, I will continue to put new posts here, with the classicalanglican.net site as an archive. We’ll see what the future holds.

My gratitude is great, Mike. Many, many thanks.

Songs of Charles Wesley

December 18, 2007

Those who live in the vicinity of the Triangle (Raleigh, Durham, Chapel Hill) may want to attend a performance Thursday night at the Church of the Holy Family of a series of songs by Charles Wesley.

Details of the performance may be found here, with a link to biographies of the performers (our rector and his father).

<em>The Confessing Reader is pleased to acknowledge that the flautist is his wife.</em>